Right, we’re getting into the thick of editing. You’ve checked that your character motivations (logic) and plot logic are in place. It’s all looking like it makes sense. Your plot holes are no more, your character a shining beacon of themselves. Is that all? Not really.
So, here’s the next step I take when looking at my revisions:
This is a huge one for me. It’s so important that the reader wants to keep turning the pages. However, I’ll caveat by saying this: At this stage, I only look for the major overall tension on this edit. The micro-tension I save for later. This is the way I tackle it, and perhaps my process might help yours, so here we go:
I look at my biggest plot points and ask the question “What could make things worse?’ For example: Annie has just found out she’s pregnant, but doesn’t know who the father is. What could make this worse? Maybe her parents are highly religious and will be appalled at her choices. Maybe her husband realizes he couldn’t be the father because he was out of town at the time. Perhaps her sister walks in on her and says she’ll tell everyone? As you can see, there are any multitude of ideas to use, but what you want to do is make things worse.
However, here’s a caveat: personally, I tend to keep a slight cap on this. By this, I mean I keep it tense and I up the ante with the “What could make this worse” question, but as soon as it diverges too far from my original plot, or becomes a little too outlandish, I put the brakes on it. It’s all about balance – lots of tension vs realism and authenticity.
Okay, so after I’ve looked at my major plot points, I look at my overall chapters. How is my tension? What could make things worse in this chapter? What else could go wrong? Is it an emotional bump on the road, or a physical one that makes things worse? Can I take something away from my character that they need? There are a lot of options, so you’re going to want to keep searching out those possibilities until you find the one that best meets your story’s needs.
And then, you got it, scenes. Rinse and repeat. From scene, to chapter, to plot points, to whole book, you’ve got to give your character something to struggle against, and you can’t make it easy for them!
It’s also worth bearing in mind that tension can come in the form of not telling the reader something. It’s not always about adding a hurricane or a secret spy. Sometimes it’s the reader knowing something the main character doesn’t (but needs to) . Or the looming dread of a situation.
For me, tension is a biggie, and it ties into so many other areas, such as pacing, but this is the name of the game in writing…it’s a domino effect. You can’t change one thing, without it affecting another. So, if you worked on character motivations and plot logic, it will have altered your story. Then you edit for tension and you’ve altered your story even further…all to the benefit of your book!
You might have noticed that I do revisions in rounds, which is just to keep my head clear. Some people are more than able to do everything at once, but this is just my process. I hope something helps you here! Next week, I’ll go into more again!